The plot revolves spherical Velan, who will get into the damaging books of his father Palanisamy (Prabhu, lending dignity to the place), a large shot in his village, on account of his privileged behaviour. He falls in love collectively along with his school mate Ananya (Meenakshi Govindarajan), a Malayali. A mix-up results in his father fixing Velan’s match with Vidusha (Mariya Vincent), who will also be a Malayali woman from his school. Can Velan and Mammukka Dineshan (Soori, who entertains in a kidnapping scene), Vidusha’s lover, clear this confusion with out hurting his father, notably when the girl’s father (Thambi Ramaiah, in over-the-top mode) and Velusamy (Harish Peradi, in but yet one more clichéd harmful man character), who holds a grudge in opposition to Velan’s family, are plotting to embarrass Palanisamy?
Velan is the type of film the place your total story would end in a couple of minutes if solely the characters choose to talk with each other and make clear a mistaken id and clear points. Nevertheless they solely protect together with further to the confusion with their actions. It moreover earnestly believes naivety is ample to make a protagonist endearing to audiences. It moreover thinks female characters should exist solely for the hero or the villain’s sake with no firm of their very personal. And the villain should be a person who has bitter enmity in course of the hero and his family, nevertheless may have a change of coronary coronary heart in an event. In essence, it’s efficiently a throwback to the flicks of the mid-90s (suppose Murai Maaman or Maaman Magal). In some strategies, it's a good issue as you’ll have the ability to end up with a passable entertainer. Nevertheless nevertheless, the film would possibly sound too simplistic and unrewarding.
Velan exists someplace in between these two experiences. It’s not a film one can whole-heartedly recommend, nevertheless on the same time, it isn’t exactly harmful. Is it glass-half-full or glass-half-empty for you?
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